Sunday, 28 May 2017

A statue of John Willet by Michael Rysbrack



A Marble Statue of John Willett (1745 - 1815). 
(John Willett Adye
by Michael Rysbrack.

Originally for Merley House, Dorset.

From a niche flanked by Doric Columns in the Entrance Hall


Inscribed on the base of the column
Michl. Rysbrack Sculpt. 1763.
Height 185.7 cms 

Musee Royaux des Beaux Arts de Belgique

Bought from Mr Bernheim Elder in 1878







.

for Ralph Willett see -
Legacies of British Slave Ownership

https://www.ucl.ac.uk/lbs/person/view/2146639903

Sir Andrew Fountaine by Roubiliac



Sir Andrew Fountaine
  
by Louis Francois Roubiliac
Terracotta

Norwich Castle Museum

see my blog entry - http://bathartandarchitecture.blogspot.co.uk/2015/10/jacques-antoine-dassier-16-medallions.html




Sir Andrew Fountaine (1676 - 1753).
Louis Francois Roubiliac.
Terracotta
54 x 49 cms
Acquired from Commander Andrew Fountaine of Narford Hall Norfolk 1992
Purchased with the aid of the National Arts Fund
Norwich Castle Museum.



Billy Waters by Robert Shout



Billy Waters, King of the Beggars

by Robert Shout
1821.
Inscribed Pbld. Mar 1821 by R Shout & Son Holborn, London.

Plaster Statuette 13 inches tall.

Current whereabouts unknown

I was alerted to the existence of this quite remarkable plaster figure when visiting the exellent website of the estimable Mathew Crowther - a must visit site for anyone interested in Engravings and Graphic Satire of the 18th and early 19th centuries.

https://theprintshopwindow.com/2013/07/02/life-in-london-the-satirical-action-figures/

when putting together information on Benjamin and Robert Shout






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Enoch Wood, antique Staffordshire figure, Staffordshire pottery, pearlware figure, Staffordshire pottery figure, bocage figure, creamware, early Staffordshire figure, Myrna Schkolne,  Enoch Wood, Billy Waters


Staffordshire Pearlware figure of Billy Waters

attributed to Enoch Wood

Height 8"

Image Courtesey John Howard Antiques.




Another version of the figure above.

Height 8.25"

Royal Pavilion Art Gallery and Museum

document

From a scrap book of prints Compiled by Thomas Lord Busby.

document

Both images Victoria and Albert Museum



Cruikshank - 1819.

Image - British Museum


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Portrait of Billy Waters 
Sir David Wilkie
oil on panel
274 x 212 mm
National Maritime Museum

A full-length portrait, slightly to the left, showing Waters wearing a red waistcoat (with a pipe? in the left pocket), white shirt, yellow neckerchief and dark trousers, with a leather belt about his waist. His left hand is on a walking stick, which supports him; a false leg is strapped to the stump of his right leg. The background is painted gold. Billy Waters (c.1778–1823) was born in America during the War of Independence. He was a sailor and lost his right leg as a result of falling from the topsail yard of the 'Ganymede'. Unable to serve at sea, he became a famous London street entertainer and was often to be seen busking with his fiddle to support his family. Waters featured in Pierce Egan’s 'Life in London' (1820–21) and was one of the characters illustrated by George Cruikshank. Indeed, Waters appeared in several Cruikshank cartoons, including 'The New Union Club' (NMM, ZBA2498). When Egan’s book was adapted into a play and performed at the Adelphi Theatre, Waters – who had been busking outside – was invited on stage to play himself. He repeated the performance at the Caledonian Theatre in Edinburgh. Waters ended his days in St Giles’s Workhouse, having fallen ill and been forced to pawn his fiddle. He was elected ‘king of the beggars’ shortly before his death.

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Lead Glazes Earthenware c 1825
Victoria and Albert Museum
http://collections.vam.ac.uk/item/O70193/billy-waters-figure-unknown/


Derby Figure of about 1862.

A version of this figure was first produced in about 1823.

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From the will of Billy Waters

Thus poor Black Billy's made his Will,
His Property was small good lack,
For till the day death did him kill
His house he carried on his back.
The Adelphi now may say alas!
And to his memory raise a stone:
Their gold will be exchanged for brass,
Since poor Black Billy's dead and gone.